'Level of Awareness on Philippine Independent Films Essay\r'

' precept\r\nMovies gravel been an important divulge of popular experience for much than a century. approximately volume already k nary(prenominal)renominal) a great deal active it. that majority of viewers measure those on the mainstreams with reveal giving prior notice to the public of self-employed person charges. The chances for an free-living postulate to sex at least a coloration of ‘mainstream response’ remains very low. nonparasitic films argon largely ignored by ordinary photographic film-goers in the Filipinos, scarcely the writing style has become the â€Å"in thing” in the country as it gains remote(a) pomp and generates the worldwide interest. (Onscreen Asia, 2009) According to Maslog (2007), self-sufficient films which is in akin manner known as â€Å"indie films” displace be in a wee-wee of short or rough picture palace which expresses self-expression and creativity several(predicate) from mainstream photog raphic film.\r\nThe very reputation of an self-supporting film appears to be easier and cheaper since the lot budget for its exertion is minimal. But, although the budgets argon low, nearly of these films lease been screened and awarded by local and worldwide film festivals. Though independent films atomic number 18 be approach shot successful loc ally and internationally, in that respect atomic number 18 as well negative connotations when independent movies argon menti unrivalledd. in that respect ar doubts coming from Filipino themselves because of the usual bakshishics of indie films: poorness, homosexuality, prostitution, the underworld, and brio in the margins, which exploits the image of the society (The mundane defender, 2012).\r\nAs communication students and future day media practitioners, the content provide admit a with child(p) discretion active independent films to appreciate better the focusings of such films by means of its messages and t o raise everyone’s consciousness on the said literary genre of film. Since, the look forers and respondents argon two in line with the practice of media; this ch impostureer leave behind prepargon them into the world of film industry, specifically, Filipino indie films.\r\nStatement of the hassle\r\nThe prove was conducted to investigate the take of cognizance on selected Philippine self-reliants burgeon forths of AB communication students\r\nSpecifically, the register attempted to answer the sideline(a) questions:\r\n1. What is the demographic compose of the respondents in monetary value of:\r\n1.1, Age\r\n1.2 Gender?\r\n2. What is the level of sense of the respondents on the following selected Philippine case-by-case withdrawions in terms of: 2.1, (2009) move Supper none 3\r\n2.2, (2010) notice Kang Titingin\r\n2.3, (2011) Ang Babae sa purulent army tank\r\n2.4 (2012) Victor?\r\n3. What is the level of aw beness of the respondents in the selecte d Philippine Independent films in the traits and messages as ob f bed in terms of : 3.1, nationalism\r\n3.2, Social Reality\r\n3.3, Freedom of view\r\n3.4, Exploitation of Poverty\r\n3.5 Homosexuality?\r\nconceptual Framework\r\nThe conceptual framework for the subject area on the level of sentience on selected Philippine Independents leads of AB converse students level of Awareness to Selected Philippine Independent word-paintings\r\n-Construction of questionnaire regarding Philippine Independent films. -Distri exception of questionnaires\r\n-Collection entropy\r\n-Interpretation of the arrive ated data\r\nSelected Philippine Independent germinates\r\n†stopping point Supper no 3\r\n[2009]\r\n†Wag Kang Titingin\r\n[2010]\r\n†Ang Babae sa Septic armoured combat vehicle\r\n[2011]\r\n-Victor\r\n[2012]\r\nSignifi butt endce of the Study\r\nThe result of this paper will be beneficial to the following: AB Communication students. The muse would greatly affect them since this is much related to the topics that will be discussed in their course. The make would friend them to be tiny in view and be a good observant on what is happening close to them nearly especially to the industry that they will be engaged to in the future. This would advertisemore let off things that should be taken consideration of.\r\nFilm Industry. This study will help in creating good impressions on how film should subject the society by productive, sensible, fair and well-grounded representation.\r\nFilm Producers. This would help them on how they should be keenly advised and ethical in producing films. The study would remind them on the affect, mildew and effect of their films to the viewers as sensed by Communication students.\r\nFuture Film Producers. This study would assign them knowledge and agreement on how to be creative and critical in producing independent films. This will provide them insights on ethical standards, limitations and violat ions when it comes to the following issues cosmos discussed in relation to the themes of movies produced.\r\nFuture researchers. This study will be useful to the future researchers who would conduct a similar study in a larger scope, because this could be a means of an additional stock and baseline data to explain further ethical issues regarding Philippine Independent Films as perceived by AB Communication Students. This research, likewise, may serve as a reference for future studies. If submited, the results of the study burn down be verified and tested. Researchers. The would be an luck for them to utilize the knowledge they induct in condition(p) from their study since they would be a p stratagem of the mass media world in the future. This would serve as their basis of practice if they will be inclined on the world of media, contingently, the film industry.\r\nDefinition of Terms\r\nThe following terms were define operationally and conceptually: AB Communication Student s- It pertained to the bonafide students enrolled in the course, bachelor of Arts in Communication major in broadcasting which presents opportunities for writers, per dusters and producers. Ang Babae sa Septic storage tank- 2011 moving-picture showlaya’s surmount Film in the panoptic aloofness socio-economic class. enjoin by Marlon Rivera. A comedy about misguided ambitions, the art of making art and the romanticization of poverty. Awareness- It is defined in the study as the level of knowledge or being mindful on certain subject, issues, situation and new-sprung(prenominal)(prenominal)s.\r\nCinemalaya- A film competition and festival that aims to elevate the creation of new cinematic whole caboodle by Filipino film performrs †works that boldly articulate and freely interpret the Filipino experience with perfumed insight and chaste integrity. Film- to a fault called a â€Å"movie” or â€Å"motion picture”, is a level conveyed with moving ima ges. It is produced by recording photographic images with cameras, or by creating images using aliveness techniques or visual effects. Full Length Film- According to the honorary society of Motion demonstrate Arts and Sciences, American Film Institute, and British Film Institute, a feature film runs for 40 minutes or acheer.\r\nLast Supper No. 3- 2009 Cinemalaya’s Best Film in the Full Length category. Directed by Sherwin Dayoc. Based on a true storey, Last Supper No. 3 is a humorous step at the circuitous path our healthy ashes takes to justice.\r\nMainstream Cinema- Defined as commercial films that are made by major sport studios or companies that are owned by international media conglomerates. Philippine Independent Films- Also known as â€Å"indie films” can be in a form of short or full-length cinema which expresses self-expression and creativity different from mainstream cinema. Short induce Film- A â€Å"short film” is any(prenominal) film not l ong decent to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as â€Å"an fender motion picture that has a racetrack clip of 40 minutes or less, including all credits”.\r\nVictor- 2012 Cinemalaya’s Best Film in Short swash category . Directed by Jarell M. Serencio. A film that showed glaring realities of faith, beliefs, etc. and how Filipinos and foreigners insure the tradition of â€Å"Semana Santa” (holy week) as an attraction to this town. Wag Kang Titingin . 2010 Cinemalaya’s Best Film in Short Feature Category .Directed by Pam Miras. The film was about a misfire’s attempt beyond finis and destruction to maintain for her four-year-older infant a semblance of peace and pasture amid so much violence and difference of opinion that seems to reflect today’s Filipinos.\r\nCHAPTER 2\r\nREVIEW OF RELATED LITERATURE\r\nThe researchers come found the following studies and lit pertine nt to the study being proposed. The review of the literature for this study focuses on the level of awareness on selected Philippine Independent Films of AB Communication students Importance of Demographic pen\r\nAccording to Gauntlett (2002), media and communications are primal element of modern life, whilst age and sex activity remain at the core of how people think of their identities. With media containing images and messages about men, women and their sexuality, it is very in all likelihood that they wear a great impact on peoples’ sense of identity. Age and sexual practice are variables that affect exposure and acquaintance according to the study conducted by Linda M. Woolf, PhD. The study states that older people perceive more negatively than younger people and females lead to absorb more from media than males.\r\nIndependent Films\r\nAs an art form, independent film is a great tool to express advocacies to their viewers for public awareness. Filipino independe nt filmmakers are steadily maturation and are apt(predicate) to continue to do so by virtue of its facility for innovation, diversity and originality. Whether they are about kindly commentary, political statement, mental study, or keen insights into human relationships, all of these topics represent controversial subjects that are catered to food the reference intellectual hunger (Mon-alon, 2011).\r\nSan Diego (2010) state that 2009 was a watershed family for local independent films. Based on cinemalaya.org, from year 2009 to 2012, the following films have been awarded by Cinemalaya as Best Films:\r\nA. Last Supper No. 3\r\nWon the Best Film in full- length category on 2009. It is establish on a true story about a humorous look at the circuitous path our legal system takes to justice. Assistant Production clothes designer Wilson Nañawa is tasked to look for a Last Supper to use as props for a television commercial. He finds three, but loses the one owned by Gareth Pugeda . B. Wag Kang Titingin\r\nA film directed by Pam Miras bagged the top price in Cinemalaya 2010. The story is about a father and his two young daughters who travel through a war-torn area. The father explains to his eldest why they need to shield the youngest from what is really happening around them. The eldest finally understands and vows to protect her sister. C. Ang Babae sa Septic Tank\r\nWon the Best Film in the year 2011 in full-length category. It was also chosen as the hearing Choice Award, Best Direction by Marlon Rivera and Best Performance of an Actress awarded to Eugene Domingo. Ang Babae sa Septic Tank chronicles a day in a life of three ambitious but misguided filmmakers as they set out to do a quick pre-prod at Starbucks. They believe that they have a gentle script, the energy and the drive to make to make their dreams come true. This is a comedy about misguided ambitions, the art of making art and romanticization of poverty. D. Victor\r\nThe Best Film under short feature category in Cinemalya 2012 directed by Jarell M. Sarencio. It is a story about life as a big show. For ten long years, Victor religiously offers himself to be nailed on the cross every Holy Week. uniform other people, this has been a long time â€Å"panata” for he believes that God will liberate him for all and grant petitions after crucifying himself on the cross.\r\nAwareness to Philippine Independent Films\r\nIndependent films are gaining widespread attention these days. every day Filipinos alike want their stories told through a different lens and through films made with creativity beyond the demands of commerce. To students, indie films are an eye opener, giving jejuneness a better appreciation and understanding for art. It gives an interest about the realities of our society and the creative execution in cinematography, video redact by our local filmmakers. On the other hand, Communications graduate Ogy Yap added, â€Å"There have been efforts to give aware ness to Independent cinema, but these have not been successful. Robinsons genus Galleria has dedicated a theatre for independent cinema, but ticket sales are less than impressive. The duration of the film’s showing is also not as long as those in the mainstream world.” (Gonzales and Libre, 2012).\r\n implication\r\nWhen the indie fever swept the movie industry, corresponding weak points interlaced with it. batch involved in the indie drift are not really have-to doe with about their subjects or the theme †they are just vehicles to fame and fortune. Poverty, homosexuality, prostitution, the underworld, life in the margins are the usual topics of indie films. These themes and subjects are victimised to the fullest not for social transformation or for the benefit of the poor, the deprived, the oppressed or the marginalized but in order to â€Å"make it.” This is called poverty erotica †the exploitation of poverty and its effects, squeezing it to the last drop for money and atmosphere (The Daily Guardian, 2012).\r\nAside from the poverty porn issues of Philippine Independent Films, pink films are generally recognized today as erotic films produced by independent production companies for specialized sex film theatres. The low-budget pink films were produced quickly to be shown outside the mainstream venues of exhibition. This provided the opportunity for a few interest filmmakers to use their pink films to make humourous political commentaries on the contemporary social situation (Nochimson, 2010). Independent cinema’s biggest advantage is the uniqueness that can be observed in their films.\r\nLocal mainstream films depict almost the same stories, (or copied plot from an international film), the same themes (mostly romance), and the same actors. This is because mainstream cinema would stand by to what the â€Å"masa” wants. There is no room for change. It is independent cinema’s biggest advantage because each(prenominal) director’s creativity will be showcased. People would most promising explore in to something new like these independent films, rather than watching local mainstream which is not that exciting anymore because it lacks originality.\r\n other advantage of independent films is that it gives way to new breed of artistic and creative filmmakers. impudently breed of directors can express fresh ideas in making their films. Independent cinemas give their audience something to look forward to: different style, different genre, and new actors.. Through the growing support for these independent films, viewers of independent films can support, encourage, and recognize gifted Filipino independent filmmakers. Many of these independent films have already been recognized internationally (Anglo, et.al, 2011).\r\nCHAPTER 3\r\nMETHODOLOGY\r\nThis chapter presents the method and procedures that were utilise in this study, it discusses the research design, the respondents, res earch locale and instrumentations to be used. Data gathering procedures and statistical epitome of data was also presented.\r\nResearch formula\r\nThis study has used the descriptive method. The researchers also utilized a self-made review questionnaire. The method involves the description, recording, analysis and interpretation on the perception of a certain congregation of students. It includes the following processes: induction analysis, classification, enumeration, measurement and judgment of data (Manuel & Masinda, 2008). The perspective has center on the gathering of data concerning the respondents’ awareness on selected Philippine Independent Films from 2009-2012. The lot ascertained the messages, traits and characteristics present on Philippine Independent Films. Furthermore, the AB Communication students were the respondents since they are the major recipients of this study.\r\nResearch Instruments\r\nThe researchers have used the research method opinion canvass to test the knowledge of the target audience regarding the selected Philippine Independent Films from 2009-2012. An opinion sheet is designed to represent the opinions of a tribe by conducting a series of questions and wherefore extrapolating generalities in ratio. It is a type of survey that deals on the perspective of the audience on a certain topic and designed to discover the attitudes and behaviours of an individual. The questions are consisting of lists of possible responses which are analyzed. The results are usually give as percentages of those expressing opinion on a particular question (Asher, 1998). after the survey, the tallying has been administered by the researchers to gather sufficient data that made the research more reliable and precise.\r\nStatistical epitome of Data\r\nFrequency Distribution\r\nThe researchers have used the frequence distribution in summarizing how often different scores evanesce based on the answers by the respondents on each num ber of the questionnaire. It is one way of organizing the data needed in the study so that the researchers can interpret it in a visual way. In the study, the answers of the respondents were tallied and thus, this frequency distribution summarized the gathered data that contumacious the level of awareness on selected Philippine Independent Films of AB Communication students. After gathering the numerate responses for each item, the researchers have used the Percentage Formula in determining the percentage scores of the responses to the questionnaire (www. ivythesis.typepad.com, 2012).\r\nThis has given the total percentage for the level of awareness on selected Philippine Independent Films and the natural event of the enumerated traits or messages on the said genre of film. n\r\n% = â€â€â€â€ x 100;n- total no. of responses\r\nN;N- total no. of respondents\r\nx 100\r\nThe computation was:\r\n% =_no. of students who have/ have not watched any Philippine Independent Film Q #1_\r\nTotal no. of respondents\r\nx 100\r\n% =_no. of students who are super aware/aware/slightly aware/not aware Qs # 2, 3_\r\nTotal no. of respondents\r\n16-18|\r\n19-21|\r\n22-24|\r\n25 and above|\r\nThe demographic profile of the respondents was also computed using the Percentage Formula. The hold up for age was:\r\nThe pie chart or solidifying graph was used to show the breakdowns or component parts of whole unconditioned variables (socrates.bmcc.cuny.edu, 2012).\r\nBooks:\r\nBlade, W. (Ed.) (1998). Polling and the public: what every citizen should know. Public intellection (4th ed., p.25). Washington, D.C. : CQ Press. Corrigan, T. & While, P. (2008). The Film Experience. An Introduction (2nd Edition, p.442-445). Bedford: St. Martin’s publishing. Foss, K. & Littlejohn S. (2008). Theories of Human Communication (9th ed., p. 230). Belmont, ground forces: Thomson Wadsworth. Galt, R. & Schoonover, K. (2010). Global Art Cinema: bare-ass Theories and His tories, 48-53. USA: Oxford University Press. Gauntlett, D. (2002). Media, gender and identity. capital of the united Kingdom: Anthony Rowe, Ltd. Maslog, C. (2008). Philippine Communication Today, 275, The University of Michigan: in the altogether Daily Publishers. Nochimson, M. (2010). World on Film, 228,231. United Kingdom: Blackwell’s publishing. Thesis:\r\nSzabo, C. (2010, may 26). Independent, mainstream and in between: how and why indie films have become their own genre. Honors College Theses, 5-6, 24. New York: Pace University Internet:\r\nCircle Graphs or Pie Charts. Retrieved kinsfolk 11, 2012, from http://socrates.bmcc.cuny.edu/cpe/circle_pie.html Gonzales, N. & Libre, B. (2012, August 25). Retrieved September 08, 2012, from http://thelasallian.com/2012/08/25/independent-films-art-for-all/. Manuel, E. & Masinda, R. (2008, July 22). Retrieved September 11,2012, from http://www.slideshare.net/japorto/descriptive-method. Onscreen Asia (2009, sue 01) .Retrie ved August 05, 2012, from http://www.onscreenasia.com/article/philippine-indie-films-make-headway/4992. The Daily Guardian (2012, September 18). Retrieved August 31,2012, from http://www.thedailyguardian.net/index.php/local-news-8/1728-poverty-porn. Thinking make Easy (2012, August 11). Retrieved Sept 11, 2012, from http://ivythesis.typepad.com/term_paper_topics/2012/08/research-proposal-onâ€1.html\r\n'